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Maurice Eugene Dobson, aged forty-three years and two months, is standing in the middle of a car of the A train, on his way home. He is not holding onto the pole: he stands off to its side, swaying slightly with the movements of the train, but balanced perfectly and seemingly without effort. He never holds onto the poles. He takes pride in being able to maintain his balance like this, although he knows it’s not the sort of quality anyone else will appreciate, and it’s not really something you can put on your résumé. Too bad.

He is a small man, though he prefers the word diminutive. He is five feet, four and a half inches tall in his stocking feet, and slightly built: his clothes hang on him as though bewildered to have such an insufficient resident. He wears pressed khaki pants, their sharp creases billowing several inches forward of his knees; he wears a stiff checkered shirt and a navy blue suit jacket with a single gold button that is somehow incongruous. His shoes are brown leather loafers and exude a dated, faintly genteel air. Clothes the students make fun of. He knows they do, behind his back: Mr. Dobson, that is one creepy dude, I actually don’t think he’s from this planet, doesn’t he know his pants don’t fit? – where did he get his shoes? – they look like my grandmother’s – and so on and on. They’re all idiots, he tells himself as a manner of consolation. The students, certainly, and to a large extent the faculty too.

He has a curious face, opaque and changeable in the light. His eyes bug slightly out of his head, but not in an unpleasant way; he has a rounded chin and a round, childish nose. He appears to be watching, yet at the same time oblivious. He sways with the train – he is immune to the forces that jolt other humans. His finger holds the pencil, poised over the folded newspaper; he regards it without expression.

He is doing the crossword. He is not good at crosswords. You’d expect him to be, even he would expect himself to be if he didn’t know himself, but he is not. He’s better with numbers than with words. But all his life, ever since he was a child, he has always wanted to get smarter, he has always wanted to learn – he remembers the inadequacy of looking through a telescope lens and not understanding. And so he tries the crosswords. Every day he tries the crosswords, even though he knows it is somewhat stupid when he will probably never be verbally adept. Again, résumé deficiency. Damn you, damn you, I’m never going to get a better job, am I?

Sometimes the wish to be smarter gives way to the wish for glory. He knows it is a regression, beneath him – he who was born praising the intellect over fame – but he imagines himself in a high, majestic Roman-like stadium, the Colosseum? Yes. But not crumbling – restored to its former splendor, gleaming white in the sun, beneath the ancient rays – a filled Roman stadium, and people are cheering. In keeping with the classical theme, he is Mentor, the original Mentor, the only Mentor, and Theo that boy from third period who pays attention sometimes is whoever Mentor’s protégé was – was it Telemachus? And he has won accolades, and Theo sits up in the middle of third period and stares at him like he has suddenly understood.

He does not trip on his way out of the train. He used to trip over air, but those days are over; they all gave him too much grief for that. The idiots of yesteryear. He can still see the sneering faces. They’re all the same, really, idiots. You grow up and they get replaced by other idiots and instead of stealing your girlfriend and your notebooks and your math homework they steal your job. MacLean, MacLean, why do you have tenure and I don’t?

MacLean has the shiniest teeth he has ever seen. You can always tell them by their teeth.

Maurice Dobson finds his keys and holds onto them, in the outer pocket of his briefcase. He wants the keys to the kingdom. He wants the keys to the universe (cheesy music! Cue the cheesy sci-fi music!). He wants that, the fanfare. He wants to eat something other than heated-up Cup Noodles for dinner tonight. He wants a job at MIT. God, they’re all idiots here.
©2008-2009 ~renaissance1912
:iconrenaissance1912:

Author's Comments

I saw this man on the subway. I have no idea who he actually is.

For once, not "fiction" but fiction.

Daily Deviation

Given 2008-08-03

Maurice Eugene Dobson is my favorite sort of character in my favorite sort of fiction. This brief sketch by ~renaissance1912 is both compelling and painfully--beautifully--ordinary. Check out the second part, too! (Featured by `GeneratingHype)

Comments


love 0 0 joy 2 2 wow 0 0 mad 0 0 sad 0 0 fear 0 0 neutral 1 1
:iconlivingcomforteagle:
oh i love this so much.

this brought a smile to my face numerous times--especially:

and it’s not really something you can put on your résumé. Too bad.

his clothes hang on him as though bewildered to have such an insufficient resident.

You’d expect him to be, even he would expect himself to be if he didn’t know himself, but he is not.

and Theo that boy from third period who pays attention sometimes is whoever Mentor’s protégé was – was it Telemachus? And he has won accolades, and Theo sits up in the middle of third period and stares at him like he has suddenly understood.

..and pretty much from

They’re all the same, really, idiots. to the end.

god i love this.

--
dark pictures, thrones, the stones that pilgrims kiss,
poems that take a thousand years to die;
but ape the immortality of this
red label on a little butterfly.
-vladimir nabokov
:iconimpressionista:
I love this! Thank you for putting it up.

I love the ending, and the person switches (does that make sense?). And the rest. It is not often that I get so invested in a character that quickly.
:iconeiszapfen:
I really like this.

Poor Maurice Eugene Dobson.

--
If it looks like a frog and acts like a frog, then it's a frog
:iconcza24-9:
awesome!

although for some reason the anem eugene makes me think of aubergine.....just thought i'd throw that in there.

it's a really beautifully created little personality profile. you learn so much in such a little package.

--
"I paid for my indecision with interest,
wandering in the untouched forest
and listening alone to the pine-needles."
-- Yevtushenko [from Zima Junction]
:iconalienhunny:
This is smart and witty....rather like Mr. Dobson hopes to be? :D
(I relate to it too much since I am a nerdy member of a college faculty!)

--
"Mendacity is the city we live in."

:ufo:
:abduction:
:iconthe-gray-lady:
Well written. An interesting character presented in a snapshot of time.

--
~ Lady Lia
:icondarkhorse5:
It's in an interesting style that really works for the piece. I like how you sort of switch with being in his head and outside it--I forget what you call that.

Yeah, I went to a literature-humanities class at Columbia and it is messing with my brain. In the good way.

I will reply to your emails today or, more probably, tomorrow.

--
:frail: "What's the good of being good, if everyone is blind, and you're always left behind?" :frail:
:iconluvmanofsteel:
I love how you saw this random man and transformed him into a definitive person for your story. This is my absolute favorite part,

"Sometimes the wish to be smarter gives way to the wish for glory. He knows it is a regression, beneath him – he who was born praising the intellect over fame – but he imagines himself in a high, majestic Roman-like stadium, the Colosseum? Yes. But not crumbling – restored to its former splendor, gleaming white in the sun, beneath the ancient rays – a filled Roman stadium, and people are cheering. "

it just totally hit me and for some reason I loved it.

--
My words might be simple, and I might live unrealistically. But without my words and thoughts to calm the slowly overflowing tide of the world's evil, I will not be able to cope with the loss of my sanity.
:iconrenaissance1912:
I'm sorry for replying so late and thank you so much. :heart: I'm glad you love it.

--
Anywhere I hang myself is home. -- Louis Nordstrom
:iconrenaissance1912:
Thanks, and I'm sorry for replying so late. I am glad you could get invested in Maurice -- that's a good sign.

--
Anywhere I hang myself is home. -- Louis Nordstrom

Details

April 17, 2008
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